Antietam: 150 years ago today

Today is the 150th anniversary of the Battle of Antietam (or Sharpsburg, if you prefer) in 1862. It represents the bloodiest one-day battle in American history with over 23,000 casualties on both sides. Ethan Rafuse provides a wonderful post on this subject, complete with the opening to the film Glory (1989), which began with this battle.

He also noted the letter from Lt Col. Wilder Dwight, who died from wounds at the battle and the letter he wrote was featured in the documentary Death and the Civil War, which I reviewed earlier.

This battle was significant for several reasons. One was that it allowed Lincoln to justify the Emancipation Proclamation, as the tactical draw served as a psychological and strategic victory for the Union, aiding in a small way in keeping the European powers out of the conflict, though this was largely accomplished by this point in 1862.

Also, it was a major setback for Robert E. Lee, as his invasion of the North failed. It represented a series of missed opportunities and blunders that could have ended the war sooner, had McClellan acted more decisively upon finding Lee’s Special Order 191, which was his battle plan, or had McClellan pursued and destroyed the Army of Northern Virginia after the battle.

Though, 150 years old, this battle is still an important event in our history, worthy of continuing staff rides by military educational programs around the country. One of the better books on the battle that is both scholarly and great for a general audience is James McPherson’s Crossroads of Freedom: Antietam, The Battle That Changed the Course of the Civil War (2002), as it discusses the larger significance of the battle as well as how it relates to the concept of freedom at the time. As we approach the anniversaries of some of the most important battles of the war, it will be notable to see how we reflect and what historians write and do to understand the importance of these events against our modern society.

Review of Death and the Civil War

I would like to take this opportunity to remind you all that American Experience on PBS will be airing a documentary by Ric Burns (younger brother of filmmaker Ken Burns) entitled Death and the Civil War on Tuesday, September 18 at 8:00PM Eastern Time. The airing is timely, as it will be just after the 150th anniversary of the bloodiest single-day battle in American history with the Battle of Antietam on September 17.

This film, based upon Drew Gilpin Faust’s landmark work This Republic of Suffering: Death and the American Civil War (2008), illustrated how the Civil War changed how Americans on both sides of the conflict perceived death. Prior to the war, influenced by the religious revival of the Second Great Awakening, people believed in the concept of a “good death”, which involved dying at home, surrounded by loved ones, at peace and ready to go, and possibly and offering of last words to friends and family. This death was rooted in Christian tradition emerging in the nation through the early 19th century, where a new belief in a corporeal heaven, gained wide acceptance by the eve of war. This belief held that the deceased will gain a renewed body upon entering heaven and will reunite with loved ones who passed on before them, as well as the surviving relatives and friends when they die, with all living in everlasting peace and harmony with God.

As the war’s cruel reality shattered notions of a short, relatively bloodless conflict, Americans faced a new concept of death, as hundreds, and soon thousands, of young men were slaughtered in their prime, unable to enjoy the tranquility and dignity of a “good death”. Soldiers soon adapted to this changing circumstance and created the same conditions, in a modified fashion, for their dying comrades. The men were surrounded by photographs of loved ones, their army friends, and were able, when possible, die in relative peace. The deceased’s comrades also took on the unenviable task of notifying loved ones of the demise of the soldier, as well as arranging for shipment of effects and, if able, the body.

This documentary did an outstanding job of analyzing the harsh situation facing the nation in the early years of the war, that stands in stark contrast to how our nation treats the war dead today. Before and during the early years of the war, the federal government did not bear responsibility for identifying, accounting for, and treating its war dead. The result was that many dead were not identified initially, being buried in graves marked “Unknown”. Further, the government had no way of effective notification of casualties, with relatives relying upon the casualty reports in local papers, which could be inaccurate, creating increased anxiety among people as to the fate of their loved one serving, whether they were dead or not. Death was exacerbated by the lack of an ambulance corps, preventing early evacuation of wounded, which caused many to linger on the battlefield, dying of their wounds, without the comfort of the “good death”.

The film revolved around several themes: dying, burial, emotions around death, memorializing, identifying, and slavery. Each of these themes was well treated. Slavery was quite interesting, as the African-American experience with death was quite different through the horrors of slavery, which created a higher mortality possibility for them than whites. They created their own concept of the “good death”, which involved dying in the struggle for freedom. What was interesting to consider was that the historians involved in the film argued that contraband camps, where escaped slaves were initially housed, represented one of the first American examples of refugee camps, where conditions were quite harsh and fostered a higher mortality.

Beyond the overall content of the documentary, there were several things that stood out for me in this piece. One was the early mention of the casualty figure of 750,000, which is based upon new research that appeared in the journal Civil War History (December 2011), that is still gaining acceptance in the scholarly community and will take years to gain full recognition. The use of the figure will go far in terms of generating wider acceptance of the new calculations of just how many died in the war.

In addition to the use of new casualty figures, the story of 19th century methods of embalming and the role photographers played in bringing the savagery of death on the battlefield to Americans’ homes. Further, commemorating the dead, both through establishing national cemeteries and creating Memorial Day (on both sides of the Mason-Dixon) was an important subject. It was quite interesting to consider that without the Civil War, we likely would not have the system of national cemeteries, let alone an accounting of our war dead, at least as we know it. The story of Charleston blacks burying deceased Union POW’s from the racetrack prison camp and leading a commemoration ceremony and parade with Union forces in early May 1865 represented one of the earliest occurrences of what we know as Memorial Day.

With an all-star cast of historians and commentators, including Drew Gilpin Faust, Vincent Brown, David W. Blight, and George Will among others, Ric Burns has crafted a masterful documentary in the vein of his brother’s The Civil War. It combines the use of photographs, filmed scenes, and stirring narration, including powerful and emotional examples from the primary sources of the war, the writings of the people experiencing the war themselves. While Faust’s book is an important read and I urge everyone to read it, Death and the Civil War is a must-see documentary that illustrates the transformative effect of the war on our nation in the midst of its 150th anniversary.

Civil War Events Feature Minstrel Song Revival – ABC News

Civil War Events Feature Minstrel Song Revival – ABC News.

Pretty interesting article on a revival of Civil War era music via reenacting. I had the opportunity to listen to the 97th Regimental String Band while at Pipestone, MN a few weeks ago and they were a great group.

While I understand some of the discomfort over some of the lyrics used in the songs, we must remember that society was different 150 years ago and did not subscribe to the same values and attitudes that we might. Such events must be understood in their proper historical context and they can serve a purpose for reflecting upon the past to hopefully open a civil and honest debate about the issues of slavery and race in America’s past.

Victorian Festival canceled as weather looms – The Telegraph: Local News

Victorian Festival canceled as weather looms – The Telegraph: Local News.

Had to share this story with you all, as it involves my home town. I have been to this event several times before I relocated to North Dakota, and this is the first time it’s been cancelled, but what can you do about the weather, especially when it’s the remnants of Hurricane Isaac.

As a reenactor, I know I would not plan to go to the event with that kind of weather in the forecast, even if I had committed to it before, as damp weather is not good for weapons, or powder. Also, camping would be a pain in the rear with heavy rain, as the tents are only so waterproof. While a tough decision, it was the right one in light of the situation.

I wish the Nolan’s the best of luck as they deal with this sad turn of events and to all my friends in Jersey County, please be safe this weekend.

Recent adventures in reenacting

The past two weekends have been quite fun for me, as I participated in Pipestone Civil War Days 2012 from August 10-12, (we didn’t get back to Grand Forks until Monday evening due to a car problem, but made the best of it) and then set up a Civil War living history display as part of East Grand Forks Heritage Days on August 18-19. I also did a display at the Hubbard County Museum in Park Rapids, Minnesota on July 29, which was fun.

For Pipestone, I fell in with the 1st South Carolina, Company H, which was my one time this season doing a Confederate impression. It was a good time seeing old friends and we took in a concert with the 97th Regimental String Band, who played period music.  The battles were good, though we surrendered on the second day. I also experienced the fun of firing my musket in damp conditions, resulting in two incidences of unintentionally firing a double charge, as the first charge did not discharge, making the kick and flash quite noticeable. Here are some pictures from Pipestone. The best part of the weekend was the chance to have a tintype made of me using a period photograph by Dave Rambow, who I have met at several other events.

Heritage Days was good this year, as we had a bigger display and had Den Bolda and Mike Larson from Fargo join us on Sunday. Saturday, Joe, Stuart, Ethan Brazee (who was trying out reenacting for the first time), and I met several people and we figured almost 150 stopped by our display that day. We may have gained some new recruits. It was a great time and thanks to Drs. Doug and Laura Munski for providing some of the pictures on both days.

Here are the photos from all the events.

Pipestone 2012

Pipestone 2012

Hubbard County Museum 2012

Heritage Days 2012

Heritage Days 2012

Courtesy of DC Rambow, Wet Plate Photographer

AMERICAN EXPERIENCE Presents Death and the Civil War

AMERICAN EXPERIENCE Presents Death and the Civil War

Premieres Tuesday, September 18, 2012

8:00 p.m. – 10:00 p.m. ET on PBS

From acclaimed filmmaker Ric Burns, Death and the Civil War explores an essential but largely overlooked aspect of the most pivotal event in American history: the transformation of the nation by the death of an estimated 750,000 men – nearly two and a half percent of the population – in four dark and searing years from 1861 to 1865. With the coming of the Civil War, and the staggering and completely unprecedented casualties it ushered in, death entered the experience of the American people as it never had before – on a scale and in a manner no one had ever imagined possible, and under circumstances for which the nation would prove completely unprepared. The impact would permanently alter the character of the republic, the culture of the government and the psyche of the American people – down to this day.

“Transpose the percentage of dead that mid-19th-century America faced into our own time – seven million dead, if we had the same percentage,” says author Drew Gilpin Faust, on whose groundbreaking book, This Republic of Suffering, the film is based. “What would we as a nation today be like if we faced the loss of seven million individuals?”

Death and the Civil War tracks the increasingly lethal arc of the war, from the bloodless opening in 1861, through the chaos of Shiloh, Antietam, Gettysburg, and the unspeakable carnage of 1864 – down through the struggle, in the aftermath of the war, to cope with an American landscape littered with the bodies of hundreds of thousands of soldiers, many unburied, most unidentified. The work of contending with death on this scale would propel extraordinary changes in the inner and outer life of all Americans – posing challenges for which there were no ready answers when the war began – challenges that called forth remarkable and eventually heroic efforts on the part of individuals, groups and the government – as Americans worked to improvise new solutions, new institutions, new ways of coping with death on an unimaginable scale.

Before the Civil War, there were no national cemeteries in America. No provisions for identifying the dead, or for notifying next of kin, or for providing aid to the suffering families of dead veterans. No federal relief organizations, no effective ambulance corps, no adequate federal hospitals, no federal provisions for burying the dead. No Arlington Cemetery. No Memorial Day. Death and the Civil War will premiere on AMERICAN EXPERIENCE on Tuesday, September 18, 2012 from 8:00 p.m. – 10:00 p.m. ET on PBS in conjunction with the 150th anniversary of the Battle of Antietam – to this day, the single bloodiest day in American history.

RIC BURNS (Producer/Director)

Ric Burns is best known for his acclaimed series New York: A Documentary Film, a sweeping chronicle of the city’s history, which garnered several honors, including two Emmy Awards and an Alfred I. DuPont- Columbia Award. Burns’ career began with the celebrated series The Civil War, which he produced with his brother, Ken Burns, and co-wrote with Geoffrey C. Ward. In 1991, Ric founded Steeplechase Films and has since written and directed a number of award winning films for PBS, including Coney Island, The Donner Party, The Way West, Eugene O’Neill, and Andy Warhol: A Documentary Film. Most recently, for AMERICAN EXPERIENCE, Burns wrote, produced, and co-directed Tecumseh’s Vision, part two of the groundbreaking five-part miniseries We Shall Remain, and a film about the history of the whaling industry,

Into the Deep: America, Whaling & the World. A graduate of Columbia University and Cambridge University, Burns lives in New York City.

DREW GILPIN FAUST (Author, This Republic of Suffering) took office as Harvard University’s 28th president on July 1, 2007. A historian of the U.S. Civil War and the American South, Faust is also the Lincoln Professor of History in the Faculty of Arts and Sciences. She previously served as founding dean of the Radcliffe Institute for Advanced Study (2001-2007). Before coming to Radcliffe, Faust was the Annenberg Professor of History at the University of Pennsylvania. She is the author of six books, including This Republic of Suffering: Death and the American Civil War (January, 2008), which was awarded the 2009 Bancroft Prize, the New-York Historical Society 2009 American History Book Prize, and recognized by The New York Times as one of the “Ten Best Books of 2008.” Faust’s honors include awards in 1982 and 1996 for distinguished teaching at the University of Pennsylvania. She was elected to the American Academy of Arts and Sciences in 1994 and the American Philosophical Society in 2004. She received her bachelor’s degree from Bryn Mawr in 1968, magna cum laude with honors in history, and master’s (1971) and doctoral (1975) degrees in American civilization from the University of Pennsylvania.

About AMERICAN EXPERIENCE

Television’s most-watched history series, AMERICAN EXPERIENCE has been hailed as “peerless” (Wall Street Journal), “the most consistently enriching program on television” (Chicago Tribune), and “a beacon of intelligence and purpose” (Houston Chronicle). On air and online, the series brings to life the incredible characters and epic stories that have shaped America’s past and present. Acclaimed by viewers and critics alike, AMERICAN EXPERIENCE documentaries have been honored with every major broadcast award, including 14 George Foster Peabody Awards, four DuPont-Columbia Awards, and 30 Emmy Awards, including, most recently, Exceptional Merit in Nonfiction Filmmaking for Freedom Riders. Exclusive corporate funding for American Experience is provided by Liberty Mutual Insurance. Major funding provided by the Alfred P. Sloan Foundation. Major funding for Death and the Civil War provided by the National Endowment for the Humanities: Exploring the Human Endeavor. Additional Funding provided by the Arthur Vining Davis Foundations, Dedicated To Strengthening America’s Future Through Education; the Nordblom Family Foundation and the Gretchen Stone Cook Charitable Foundation, members of the Documentary Investment Group; and by the Corporation for Public Broadcasting and Public Television

Viewers. American Experience is produced for PBS by WGBH Boston.

Publicity Contacts:

CaraMar Publicity

Mary Lugo   770-623-8190  lugo@negia.net

Cara White  843-881-1480  cara.white@mac.com

Abbe Harris 908-233-7990  abbe@caramar.net

For further info and photos visit http://www.pbs.org/pressroom

Infographic on the battles of the Civil War

Civil War Trust put together an interesting and fairly well-done infographic that they are making available to post on websites. I thought I would share it here for your use.

Brought to you by The Civil War Trust

Lecture opportunity at Carlisle, PA

Ethan Rafuse, professor of military history at the U.S. Army Command and General Staff College, and blogger at Civil Warriors is delivering a lecture as part of the 44th Annual Lecture Series “Perspectives in Military History.” The lecture is entitled “We Always Understood Each Other So Well:  McClellan, Lee and the War in the East.” If you are in the area of Carlisle Barracks in Pennsylvania on July 18, I urge you to take in his lecture.

Webinar on the Seven Days Battles

Today (Saturday, June 16), from 9am-noon (since it is in Massachusetts, I am assuming it is Eastern Time) the American College of History and Legal Studies will be live-streaming a round table discussion on the Seven Days Battles. It will be led by our founding dean, Civil War Historian and Pulitzer prize nominee Michael Chesson.

You can either check it out via this link, or through the embed provided below.

http://www.ustream.tv/embed/11285871
Streaming Live by Ustream

Below is to participate in the chat:

http://www.ustream.tv/socialstream/11285871

More information is available here.

Apologies on the short notice, but I did not find out about this until two days ago and have been busy packing and traveling to Illinois to visit my folks, but I hope some of you are able to take in this interesting event.

Material culture and Civil War soldiers

In light of Den Bolda’s great inaugural post on Union uniform coats, I thought I would share a paper I wrote for a class I took on material culture a couple years ago that dealt with Civil War soldiers. Being involved in reenacting since then, I have a greater appreciation for the objects and materials that constituted a soldier’s life and person during the war. On Friday, I head to Fort Sisseton for their history festival, so I will be absent from the blog for the weekend, but will post soon after I return on the fun of the weekend.

View this document on Scribd

Some videos on the Battle of Shiloh

Here are some clips off YouTube related to the Battle of Shiloh that come from Ken Burns’ The Civil War.

 

Shiloh 150 years later

Yesterday, April 6, and today mark the 150th anniversary of the Battle of Shiloh in southwestern Tennessee. This battle is significant in several ways, some which are explored in a New York Times article published yesterday. One of my buddies and fellow reenactor attended one of the 150th events last weekend and there is a buzz about them on one of the major reenacting forums. However, this battle is still one that is popular for people to read about and study, though not to the level of Gettysburg, but one of the most studied in the Western Theater.

The battle that began near Pittsburg Landing on the Tennessee River, near a small church called Shiloh, which meant place of peace, came to symbolize the carnage that characterized the Civil War. The Union forces were pushing down the Tennessee River towards the rail junction of Corinth, Mississippi. Having achieved two important victories in February against Forts Henry and Donelson, the Union was beginning to take the war to the South, under the leadership of Ulysses S. Grant. It was part of the larger strategy to gain control of the major inland waterways to cut the Confederacy in two. Confederate forces were hopeful of thwarting the Union strategy by delivering a major blow in the West, which reflected the state of the war in the East that was going in the South’s favor.

On April 6, General Ulysses S. Grant had established his camp on the bank of the Tennessee River, at Pittsburg Landing, the night before and was not prepared for General Albert Sydney Johnston’s Confederate army, which was encamped nearby. The Confederates launched a surprise attack on the Union camp that morning, which sought to drive the Union away and back up the river. Though initially caught off guard, Union troops rallied and fought a bitter fight against the Confederates along a line extending from the river for over a mile to Owl Creek. Part of the Union line engaged in heavy fighting, which became known as the Hornet’s Nest, where Union forces held firm. Fighting raged all along the line, with hundreds falling, including General Johnston, who was wounded in the back of the knee and bled to death. Johnston was the highest ranking officer killed on either side during the war.

After the first hard day of battle, a storm raged, with lightning flashing, showing hogs among the dead. Wounded soldiers came to a small pond to drink and bathe their wounds, dying the water pink, earning the small body the name “Bloody Pond”. William Tecumseh Sherman approached Grant under a tree, sheltering during the storm after the first day, and said, “Well, Grant, we’ve had the devil’s own day, haven’t we?” Grant replied, “Yes, lick ‘em tomorrow, though.”

The second day, April 7 brought bad luck for the Confederates. The Union army was reinforced by General Don Carlos Buell’s Army of the Ohio, which arrived the previous night. Further, the Confederates were disorganized by the loss of Johnston, which placed P.G.T. Beauregard in command, who did not realize he was outnumbered. In addition, Confederate command was rife with problems revolving around personality conflicts and subordinates not following Beauregard well. Facing a Union counterattack, Confederates were forced back from their gains the previous day and withdrew from the field, eventually back to Corinth.

The battle was the bloodiest in American history up to that time, and some claimed more casualties were suffered than all American wars combined to that time. Union casualties were 13,047 (1,754 killed, 8,408 wounded, and 2,885 missing), while Confederate losses were 10,699 (1,728 killed, 8,012 wounded, and 959 missing or captured). In addition to Johnston, Union general W.H.L. Wallace was also killed. Though initially vilified for his handling of the battle and the cost, Grant’s career was cemented by this victory. Though rumors circulated that he was drunk and calls for his job were made, Lincoln retained him, saying “I can’t spare this man; he fights.” Sherman also emerged a hero, and was a trusted subordinate and friend of Grant. This battle is quite important for the course of the war in the West and there are several great books on it, including:

Grimsley, Mark, and Steven E. Woodworth. Shiloh: A Battlefield Guide. Lincoln: University of Nebraska Press, 2006.

Sword, Wiley. Shiloh: Bloody April. Lawrence: University Press of Kansas, 1992.

Woodworth, Steven E., Ed. The Shiloh Campaign. Carbondale, IL:  Southern Illinois University Press, 2009.

How many died?: New thoughts on the cost of the war

For much of the last several decades, the accepted figure for the number of dead was 620,000, making the Civil War the bloodiest conflict in our nation’s history. Now, that figure is being questioned. Initially reported in September, the December 2011 issue of the journal Civil War History (not affiliated with this blog) has an article dedicated to this subject. If you have access to a library, I urge you to check it out.

Using census data, some historians now believe that the war actually cost more in dead than we have thought, by almost twenty percent. According to these new studies, the number of dead ranges anywhere from 750,000 to as much as 850,000, which is much more staggering than the 620,000 we have accepted for so long.

This poses the biggest historical question, why is this important? First, it is important because it illustrates the problems of how we accounted for our war dead as a nation. Particularly, the case of African-American dead, as around 180,000 served in the war (I am not getting into a debate about black Confederates on this). Second, it brings a whole new significance to the war in American history in terms of its effect on population. That twenty percent or more died than previously believed means that a higher percentage of the population was killed and otherwise affected by the fighting. It also means that if we place such a figure against our contemporary population figures, the death toll becomes even more stark, as the new figures are almost three percent of the wartime population, which translates to roughly nine million dead in today’s figures. Finally, it raises questions as to whether all the dead from the war have been accounted, as while it may not seem important 150 years later, it is important to understanding how the military has handled the dead, both good and bad, from America’s conflicts.

Our understanding of death and the war was greatly aided by the publication of Drew Gilpin Faust’s marvelous book This Republic of Suffering (2008). Faust examined how death and the carnage of war influenced society and is one of the more groundbreaking studies within recent Civil War historiography. It will be interesting to see how long it takes for such findings to become accepted and how long before textbooks change the figures, but if the methods hold up, this will shape how this war is remembered for years to come.

Update to Texas Confederate license plate controversy

Thanks to some of my intrepid readers, who followed up on this story and commented to my earlier post on the controversial proposed SCV license plate in the Lone Star State. Initial stories on the situation indicated opposition to the plate by prominent Democratic politicians in the state, which led me to believe that there might be more to this than moral opposition to the Confederate flag and Confederacy.

However, I learned from one commenter (hat tip to David Woodbury, blogger at of Battlefields and Bibliophiles) that Gov. Rick Perry expressed opposition to the plate as well. This definitely changed the situation for the future of the proposal, as he holds great sway in the state and on the commission that determined its fate, which contained several Perry appointees. This held true, as the commission rejected the plate proposal, choosing instead to honor the Buffalo Soldiers National Museum, which is certainly an institution and group of soldiers worth honoring with a license plate. However, this issue is likely not dead, as SCV will likely sue to have the plates issued. The group has successfully litigated in other southern states before on the plate issue.

My thoughts on this would be for the commission to communicate to the SCV the option for a Civil War license plate that is neutral, commemorating appropriately the 150th anniversary of the war with the silhouette of a soldier and the wording of the anniversary and the war. It would allow citizens to take their own meaning from the plate and the proceeds could be directed to preservation of Civil War related items and land, which would hopefully satisfy the SCV.

The Rebel Yell in video

Hat tip to Civil Warriors for this awesome video of a film that is held at the Library of Congress, but was made available online via the Smithsonian. I have heard a recording of the Rebel Yell before, but this is by far the best, as you can see the actual veterans doing the yell. Though the audio quality is a bit grainy, this video represents the power of digital history in making a unique piece of American history available to the world. Check it out, as I am sure it will send a shiver up your spine.

What Did the Rebel Yell Sound Like?

You should also check out this interesting article on video and audio recordings of veterans.